Everard Auctions and Appraisals
Live Auction

Fall Southern Estates and Collections: Session I

Tue, Oct 28, 2025 10:00AM EDT
  2025-10-28 10:00:00 2025-10-28 10:00:00 America/New_York Everard Auctions and Appraisals Everard Auctions and Appraisals : Fall Southern Estates and Collections: Session I https://auctions.everard.com/auctions/everard-auctions-and-appraisals/fall-southern-estates-and-collections-session-i-20454
Featuring Fine and Decorative Art from Various Southern Estates and Collections, October 9th through the 28th. The public is welcome to attend the preview reception October 21st, 5-7pm at Everard Auctions gallery, with a highlights walkthrough with Amanda Everard at 4:30 pm. Additional previewing available October 22nd-25th, from 10-5pm.
Everard Auctions and Appraisals amanda@everard.com
Lot 177

Morris Davidson (NY, 1898-1979) Abstract Still Life

Estimate: $800 - $1,200
Starting Bid
$500

Bid Increments

Price Bid Increment
$0 $10
$100 $25
$500 $50
$1,000 $100
$3,000 $250
$5,000 $500
$10,000 $1,000
$30,000 $2,500
$100,000 $5,000
$300,000 $10,000

Property from a Private Collector, Savannah, GA

Description:

Morris Davidson (Rochester, NY, 1898-1979), Abstract Still Life, 1953, Oil on Canvas, signed and dated '53' upper right, depicting an abstract still life in tones of gray, red, orange and blue, in a giltwood frame. Frame size: 35 3/4 in. x 37 1/2 in.

Born to Sophia and Harris Davidson, Morris studied art in Baltimore, where he spent much of his childhood, and between 1916 and 1918 at the Art Institute of Chicago. Davidson continued his education in Provincetown, Massachusetts in 1920 when he studied there with George Elmer Browne. He had the opportunity to see the work of twentieth-century modernists in Paris when he went there to study painting in 1923-24, and when he returned to Europe about seven years later. French art would influence the development of his own approach to abstraction upon his return to the US.

Davidson was a teacher as well as a student, having been an instructor in painting and drawing at the Minneapolis Institute of Art in 1921-22, at the Art Institute of Chicago, in Rockport, Massachusetts, and elsewhere. From 1935 on, he operated his own successful art schools in Provincetown and New York City. Over the course of his long painting career, Davidson’s work—which began in a representational style—became increasingly abstract. From portraits, still lifes, landscapes, and figure studies, Davidson eventually moved to pure abstraction. (AskArt)

Measurements: Height: by sight 33 1/2 in. x Width: 25 1/2 in.

Condition:

Overall fair condition, craquelure, losses to paint lower right quadrant and upper quadrant near midline, other small scattered losses, in need of cleaning, wear to frame.

Notice to bidders: The absence of a condition report does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the conditions of aging. PHOTOS MAY ALSO ACT AS A CONDITION REPORT. Please review all photos closely prior to bidding. Complete condition reports are available by request, no later than 24 hours prior to the live auction. All lots are offered and sold 'AS IS’, and Everard Auctions will not provide refunds based on condition. Timepiece movements, lighting and electrics have not been tested, and art has not been examined out of the frame unless otherwise stated. We do not guarantee the condition of frames. By placing a bid, either in person, by phone, absentee or via the Internet, you signify that you agree to be bound by the conditions of sale. Everard Auctions does not provide any shipping or packing services. We recommend that all potential buyers obtain pack/ship estimates prior to bidding. Please contact us for a list of recommended shippers.

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