Everard Auctions and Appraisals
Live Auction

Fall Southern Estates and Collections: Session I

Tue, Oct 29, 2024 10:00AM EDT
Lot 355

James McNeill Whistler (American, 1834-1903) C L Drouet, Etching

Estimate: $400 - $600
Sold for

Bid Increments

Price Bid Increment
$0 $10
$100 $25
$500 $50
$1,000 $100
$3,000 $250
$5,000 $500
$10,000 $1,000
$30,000 $2,500
$100,000 $5,000
$300,000 $10,000

Description:

James McNeill Whistler (American, 1834-1903), C L Drouet, Etching, signed and dated 1859 in the plate, and titled Drouet Sculptuer, matted and framed. Frame size: 15 1/4 in. x 12 3/8 in. Provenance: William Doyle Galleries, New York, Doyle at Home, 7/27/16, lot 94, for $1300.

James Abbott McNeill Whistler was a seminal American artist known for his paintings and etchings. Born on July 10, 1834 in Lowell, MA, he and his family moved to St. Petersburg, Russia in 1842 for his father’s job as a railway engineer. Whistler studied at the Imperial Academy of Fine Arts at only 11 years old, returning to the United States with his mother after his father’s death in 1849. He briefly attended the United State Military Academy at West Point before being dismissed for disobedience and poor grades. Arriving in Paris in 1855, with little money and few prospects, he fell into the milieu of Henri Fantin-Latour, Gustave Courbet, and Charles Baudelaire. Over the following decades his work become increasingly sought after, living between London and Paris, Whistler produced several depictions of the River Thames and fell under the influence of Japanese woodcuts. The artist infamously sued the British art critic John Ruskin in 1877, who scathingly attacked Whistler’s painting Nocturne in Black and Gold: The Falling Rocket (c. 1875) in a review. He died on July 17, 1903 in London, United Kingdom. Today, his works are held in the collections of the Musée d’Orsay in Paris, the Metropolitan Museum of Art in New York, and the Tate Gallery in London, among others. (Artnet.com)

Measurements: Height: of plate 8 7/8 in. x Width: 5 7/8 in.

Condition:

Good condition, not viewed out of frame, some scattered small losses to paper surface.

Notice to bidders: The absence of a condition report does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the conditions of aging. PHOTOS MAY ALSO ACT AS A CONDITION REPORT. Please review all photos closely prior to bidding. Complete condition reports are available by request, no later than 24 hours prior to the live auction. All lots are offered and sold 'AS IS’, and Everard Auctions will not provide refunds based on condition. Timepiece movements, lighting and electrics have not been tested, and art has not been examined out of the frame unless otherwise stated. We do not guarantee the condition of frames. By placing a bid, either in person, by phone, absentee or via the Internet, you signify that you agree to be bound by the conditions of sale. Everard Auctions does not provide any shipping or packing services. We recommend that all potential buyers obtain pack/ship estimates prior to bidding. Please contact us for a list of recommended shippers.

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