Everard Auctions and Appraisals
Live Auction

June Southern Estates and Collections: Session I

Tue, Jun 17, 2025 10:00AM EDT
  2025-06-17 10:00:00 2025-06-17 10:00:00 America/New_York Everard Auctions and Appraisals Everard Auctions and Appraisals : June Southern Estates and Collections: Session I https://auctions.everard.com/auctions/everard-auctions-and-appraisals/june-southern-estates-and-collections-session-i-19379
Featuring Fine and Decorative Art from Various Southern Estates and Collections, May 29th through June 17th. The public is welcome to attend the preview reception June 10th, 5-7pm at Everard Auctions' gallery, with additional previewing available June 11th, 12th and 13th, from 10-5pm.
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Lot 9

Herbert Bayer (1900-1985), Aging Star, Silkscreen

Estimate: $400 - $600
Starting Bid
$250

Bid Increments

Price Bid Increment
$0 $10
$100 $25
$500 $50
$1,000 $100
$3,000 $250
$5,000 $500
$10,000 $1,000
$30,000 $2,500
$100,000 $5,000
$300,000 $10,000

Property from a Private Collector, Savannah, GA

Description:

Herbert Bayer (American/Austrian, 1900-1985), Aging Star, 1968, Silkscreen, pencil signed and dated '68 lower right and numbered 55/70 lower left, silkscreen in tones of white, green, blue and purple, with 'Mindy Friedman Horn Conservation' 1999 report attached to verso, in a silver metal frame. Frame size: 37 3/8 in. x 37 3/8 in.

Artistic polymath Herbert Bayer was one of the Bauhaus’s most influential students, teachers, and proponents, advocating the integration of all arts throughout his career. Bayer began his studies as an architect in 1919 in Darmstadt. From 1921 to 1923 he attended the Bauhaus in Weimar, studying mural painting with Vasily Kandinsky and typography, creating the Universal alphabet, a typeface consisting of only lowercase letters that would become the signature font of the Bauhaus. Bayer returned to the Bauhaus from 1925 to 1928 (moving in 1926 to Dessau, its second location), working as a teacher of advertising, design, and typography, integrating photographs into graphic compositions. He began making his own photographs in 1928, after leaving the Bauhaus; however, in his years as a teacher the school was a fertile ground for the New Vision photography passionately promoted by his close colleague László Moholy-Nagy, Moholy-Nagy’s students, and his Bauhaus publication Malerei, Photographie, Film (Painting, photography, film). Most of Bayer’s photographs come from the decade 1928–38, when he was based in Berlin working as a commercial artist. They represent his broad approach to art, including graphic views of architecture and carefully crafted montages. (MoMA)

Measurements: Height: of image 35 1/4 in. x Width: 35 1/4 in.

Condition:

Good condition, paper restored in 1999, paper wavy, very minor toning, faint white marks in outer quadrants in blue and purple grounds, not viewed out of frame.

Notice to bidders: The absence of a condition report does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the conditions of aging. PHOTOS MAY ALSO ACT AS A CONDITION REPORT. Please review all photos closely prior to bidding. Complete condition reports are available by request, no later than 24 hours prior to the live auction. All lots are offered and sold 'AS IS’, and Everard Auctions will not provide refunds based on condition. Timepiece movements, lighting and electrics have not been tested, and art has not been examined out of the frame unless otherwise stated. We do not guarantee the condition of frames. By placing a bid, either in person, by phone, absentee or via the Internet, you signify that you agree to be bound by the conditions of sale. Everard Auctions does not provide any shipping or packing services. We recommend that all potential buyers obtain pack/ship estimates prior to bidding. Please contact us for a list of recommended shippers.

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