Everard Auctions and Appraisals
Live Auction

Fall Southern Estates and Collections: Session I

Tue, Oct 29, 2024 10:00AM EDT
  2024-10-29 10:00:00 2024-10-29 10:00:00 America/New_York Everard Auctions and Appraisals Everard Auctions and Appraisals : Fall Southern Estates and Collections: Session I https://auctions.everard.com/auctions/everard-auctions-and-appraisals/fall-southern-estates-and-collections-session-i-16644
Featuring a Bridgehampton, NY Folk Art Collection, American Art including works by Hulings, Berthelson, Calder and Albright, Fine and Decorative Art from Various Southern Estates and Collections including two Australian works one by Sir Russell Drysdale and one by Fred Williams. The public is welcome to attend the preview reception October 22nd from 5-7 pm at Everard Auctions gallery, with additional previewing available October 23rd, 24th and 25th, 10-5pm.
Everard Auctions and Appraisals amanda@everard.com
Lot 404

Fred Williams (Australian, 1927-1982), Loxton Landscape, Gouache

Estimate: $30,000 - $40,000
Starting Bid
$24,000

Bid Increments

Price Bid Increment
$0 $10
$100 $25
$500 $50
$1,000 $100
$3,000 $250
$5,000 $500
$10,000 $1,000
$30,000 $2,500
$100,000 $5,000
$300,000 $10,000

Property of Margaret McCardell

Description:

Fred Williams (Australian, 1927-1982), Loxton Landscape, Gouache on Paper, signed lower left, the paper with embossed mark lower right 'eritagoe paper'. Frame size: 31 1/4 in. x 39 3/4 in. Provenance: according to the consignor this was purchased in the mid 1970's from Faye and Arthur Simpson who were art dealers in Melbourne.

Frederick Ronald Williams begane his artistic training at the National Gallery Art School in Melbourne, where he learned the traditional studio methods of drawing. He then traveled to England for several years of further study in London, where he visited various collections of modern and contemporary art in the city's museums and galleries. Williams returned to Australia in 1957 and adopted the landscape of his native country as the central subject of his art. He was influenced by the landscape painting of the French modernists Cézanne and Matisse, but eventually developed his own style by simplifying his subject into abstract forms. His large-scale works of the 1970s and 80s were influenced by the 'color-field' style of painting that emerged from Abstract Expressionism. Like the major practitioners of this style, who included Mark Rothko and Barnett Newman, Williams tended to work in large formats, with broad masses of color and subtle differentiations of texture. In 1977. Williams was the first Australian artist to hold a solo exhibition at the Museum of Modern Art in New York. Working within the dominant Australian landscape genre, he developed the heritage of late 19th-century Australian Impressionism and modernised it. (metmuseum.org)

Measurements: Height: by sight 21 1/4 in. x Width: 29 5/8 in.

Condition:

Good condition, not viewed out of frame, some surface dirt and light foxing, pin holes to corners.

Notice to bidders: The absence of a condition report does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the conditions of aging. PHOTOS MAY ALSO ACT AS A CONDITION REPORT. Please review all photos closely prior to bidding. Complete condition reports are available by request, no later than 24 hours prior to the live auction. All lots are offered and sold 'AS IS’, and Everard Auctions will not provide refunds based on condition. Timepiece movements, lighting and electrics have not been tested, and art has not been examined out of the frame unless otherwise stated. We do not guarantee the condition of frames. By placing a bid, either in person, by phone, absentee or via the Internet, you signify that you agree to be bound by the conditions of sale. Everard Auctions does not provide any shipping or packing services. We recommend that all potential buyers obtain pack/ship estimates prior to bidding. Please contact us for a list of recommended shippers.

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